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واضح آرشیو وب فارسی:سایت ریسک: lمجموعه کار از سه کارگردان mhh_design 03 مرداد 1388, 11:451: A Collection of Work by the Director Spike Jonze, includes music videos and more When you experience The Work of Director Spike Jonze, you enter a world where anything can happen and frequently does. From the innovative director of Being John Malkovich and Adaptation., this superior compilation of music videos, documentaries, interviews, and early rarities offers abundant proof that Jonze is the real deal–a filmmaker ablaze with fresh ideas and fresh ways of filming them. While collectors will regret that only 16 of Jonze’s 40+ music videos are included here, this glorious sampling represents the cream of Jonze’s bumper crop, and for sheer ingenuity, it doesn’t get any better than this. From the Beastie Boys’ popular TV cop-spoof “Sabotage” to the intensely disciplined backwards-filming technique of the Pharcyde’s “Drop,” it’s clear that Jonze has an affinity for inventive street theater, culminating in the sad/happy vibe of Fatlip’s introspective “What’s Up Fatlip?” and the pop-jazz effervescence of Bjork’s “It’s Oh So Quiet.” Technical wizardry is also a Jonze trademark, especially in the elaborate “Happy Days” nostalgia of Weezer’s “Buddy Holly” and the graceful fly-wire dancing of Christopher Walken to Fatboy Slim’s pulsing “Weapon of Choice.” No doubt about it: Every one of these videos is an award-worthy testament to Jonze’s ability to combine hard work with fun-loving spontaneity.–Jeff Shannon Size : 1.75GB 2: A Collection of Work by the Director Mark Romanek, includes music videos and more Artists who’ve worked with him describe Mark Romanek as “meticulous” and “demanding.” Yet, the biggest names in the business have clamored to work with the mercurial helmer, because they know he’ll make them look good: Madonna (”Rain”), No Doubt (”Hella Good”), etc. Along the way, the Grammy winner has been behind some of the world’s most famous–and infamous–videos. On the groundbreaking side, there’s Lenny Kravitz’s exhilarating “Are You Gonna Go My Way,” which made the musician a star in one fell swoop. On the controversial side, there’s Fiona Apple’s teasing “Criminal,” Nine Inch Nails’ macabre “Closer,” and Jay-Z’s apocalyptic “99 Problems”–the latter two in director’s cut editions. In another class entirely, is Romanek’s heartbreaking video for Johnny Cash’s “Hurt.” More than a promo, it’s an elegy for a legend. Despite an interview with Robin Williams, this collection otherwise overlooks Romanek’s features, One Hour Photo and Static. –Kathleen C. Fennessy Size : 1.87GB 3: A Collection of Work by the Director Anton Corbijn, includes music videos and more Known as much for his photography as his videos, Anton Corbijn has produced some of rock’s most memorable images. Long associated with Depeche Mode and U2 (that’s his iconic shot on the cover of Joshua Tree), the Dutch director has worked with a diverse array of acts, including Joy Division (”Atmosphere”), Nirvana (”Heart-Shaped Box”), and Metallica (”Hero of the Day”). This collection captures over 20 years of wit and style, with influences ranging from surrealism, expressionism, and elegant European auteurs like Fritz Lang, Wim Wenders, and Ingmar Bergman (especially The Seventh Seal). Like many of the best video makers, Corbijn takes his cues more from the music and personality of the artists than the lyrics. The striking video for David Sylvian’s “Red Guitar,” for instance, features the singer, an old man, and a young boy–no red guitars anywhere. That about sums up Corbijn: often slick, occasionally bizarre–always unpredictable. –Kathleen C. Fennessy Size : 2.06GB
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[ارسال شده از: سایت ریسک]
[مشاهده در: www.ri3k.eu]
[تعداد بازديد از اين مطلب: 352]
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